Scenic Design Portfolio

Tea

University of California, Irvine / 2019

Velina Hasu Houston's play Tea follows five Japanese war brides who moved to Riley, Kansas after World War II. The balance of life in their small immigrant community is undone when Himiko dies by suicide, and her four friends gather to clean her house, mourn her death, and try to make sense of their own lives while her ghost remains among them.

Production Photos

Production photo from Tea showing performers gathered around the hexagonal tatami platform with shoji screens framing the stage picture.
Production photo from Tea capturing the ghostly atmosphere of the production as performers move across the five radiating walkways.
Production photo from Tea showing the ensemble arranged within Gretchen Ugalde's ceremonial playing space at UCI.
Production photo from Tea highlighting the translucent shoji screens and the layered pathways of the set under performance lighting.
Production photo from Tea showing the full scenic composition with the central tatami form and surrounding screen structure.

Design Statement

his project will always make me feel like I had won the lottery! I was working with my friends who had similar yet unique experiences as Asian Americans, and we were passionate about giving the very best of ourselves to make this independent project an exceptional experience for the community! We collaborated with the Asian-American studies department to give educational talkbacks after the shows. And during my time at UCI, I had not seen as many Asian-American families in the audience as I had with this production.

This set consisted of a hexagon-shaped tatami matt and shoji screens directly in front of each corner of the matt. The matt has 5 walkways, representing the lives of each woman in this story. The shoji screens surrounding the matt helped the production play with the theme of ghosts being among us as actors walked behind the screens.